It made the ambience really unique, as it was focused in a very different way than most mics I've used. What really impressed me, when I used the TF-5 for ambience, was what I can only describe as reach. I was often using a close mic on the speaker paired with an ambient mic. Both acoustic and electric guitars were used, with a few different amps. On a project with Chicago singer/songwriter and comedian Megan Hosack, we built up a lot of the songs starting with her playing guitar to a click. They have a defined presence, whether placed close to the source, or used to capture ambience. I think I would characterize these mics as slightly hard, but never harsh sounding. I threw just about everything I could at them to see how they'd fair, and I've been quite impressed with most of the sounds I've heard. I've been using the TF-5s for a couple months on several projects. Luckily, I didn't drop either mic while I had them, but if they were mine I'm certain in time they'd take a fall or two, and I wouldn't really be worried if they did – they are sturdy. The first thing I noticed was the mic's heft – these mics are small, but they have a nice weight that instills confidence. They're finished in a flat black with the signature gold dot near the business end of the microphone. ![]() The mics come packaged in a nice two-tiered box with precision cut dense foam that included the mics, windscreens, really nice clips, and a wonderfully useful stereo bar (more on the accessories later). The latest addition to the RØDE microphone line is the TF-5 small diaphragm cardioid condenser matched stereo pair.
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